The JourneyOf TheBeastsisamovieby SebastianLindaand co-producedbyTitus Berlin.
In earlier of 2014 the groupwenttothe twoTitusDresdenShopteam riderTomKleinschmidtandRichardNaumertatwithanalogPhotographerHUFGermanyteam riderErikGross,ThomasMeinel, DavidRaderReal, ChristianDöbrich, SteffenKronesandOctavioTrindadeandtheteamTitus-Pro VladikScholzandJuliusDittmannonto Bali, Indonesia to producethe new videoprojectbySebastianLinda. Itfollowedthreeweeks ofintensiveSkateboarding, pacific heatand breathtaking scenery.
EUROPE IN 8 BITS is a documentary about reusing outdated technology in creative ways to revamp the music scene, Documentary that explores the world of chip music,
a new musical trend that is growing exponentially throughout Europe.
The stars of this musical movement reveal to us how to reuse old
videogames hardware like Nintendo’s GameBoy, NES, Atari ST, Amiga and
the Commodore 64 to turn them into a tool capable of creating a new
sound, a modern tempo and an innovative musical style. This is a new way
of interpreting music performed by a great many artists who show their
skills in turning these “limited” machines designed for leisure in the
80’s into surprising musical instruments and graphical tools. It will
leave nobody indifferent.
Director: Javier Polo Producers: Lina Badenes and Javier Polo Producer Company: Turanga Films Cinematography: Álex Asensi and Vince Merino Editing: Yago Muñiz Sound Design: Álex Bordanova Postproduction: Javier Santaella Visual Effects: Xavier Nácher Animation: Device Colorist: Samuel Domingo Duration: 76 mins
Worldwide Premiere IDFA 2013 (Netherlands)
Selected at Dock of The Bay 2014 (Spain)
Selected atthe Miami International Film Festival 2014 (USA)
Selected at the Malaga Film Festival 2014 (Spain)
Selected atthe Indie Lisboa Film Festival 2014 (Portugal)
Selected at DOCVILLE 2014 (Belgium)
Selected atPlanete + Doc Film Festival 2014 (Poland)
Selected at International Film Festival in Valencia 2014 (Spain)
Selected atJecheon International Music and Film Festival 2014 (South Korea)
Selected atMilano Film Festival 2014 (Italy)
Selected atAlta Fidelidad Festival 2014 (Colombia)
Selected atIn-Edit Festival Barcelona 2014 (Spain)
6 french skateboarders discover Indonesia around Jakarta and Bali. This documentary was made around the indonesian culture and the place we went, according to skateboarding.
Old-time skaters ENESS jumped at the chance to bring skateboarding into the future by blending interactivity and high-tech mastery for the Tron Legacy premiere.
Each rider is equipped with an ipod and our custom-built app to measure their air time and trigger graphics whilst in the air and on landing.
A custom ramp was fabricated from steel to support a floating platform
Matthew Dominick made this clever Mario mash-up in which the plumber blows the warp whistle and ends up in Chicago, a city that probably already has a surfeit of mustachioed ethnic plumbers but could always use one more.
Arrington de Dionyso (born January 4th 1975) makes trans-utopian world music for a world that exists in fever dreams and hallucinations. Using performance and visual art, he traverses the nameless territories held between surrealist automatism, shamanic seance, and the folk imagery of rock and roll. Ecstasy vs. Madness.
De Dionyso's most recent project, Malaikat dan Singa, is a trance-punk outfit featuring bass clarinet, guitars, multiple drummers and his trademark wild vocals (multi-spectral harmonic THROATSINGING combined with grunts, yelps, and barks) -this time, all sung in Indonesian. Malaikat dan Singa translates as "Angels and Lions," and de Dionyso's Indonesian lyrics combine mythology and fantasy with haphazard translations of poet William Blake on the debut Malaikat album. The project, however, ultimately defies a clean translation. Malaikat dan Singa gains power by crossing boundaries -- both linguistic and psychic. On the one hand, the Indonesian language allows Dionyso to communicate on levels more deeply subliminal than those accessible in his native English. On the other, he reaches his growing Indonesian audience with his eccentric brew of ecstatic lunacy and prophetic madness, clarified to perfection during his 15 year tour-of-duty with Olympia's OLD TIME RELIJUN.Arrington tours constantly, and also presents workshops on improvising with the voice throughout North America, Europe, Israel and Japan. His visual art has been featured in exhibitions in Italy, New York City, Washington DC and Portland, Oregon and published in Yeti Magazine, Prism Index and The Stranger.
Noisy, un-economical, polluting and mass-consuming, mankind and tractor trailers seem to share more than a few things in common. And as simply as the wheels of commerce keep turning, many of those in positions of power are always hungry to keep progressing; spreading; growing. In many ways it would also seem that in many respects, humanity and cancer share a lot in common.
“The general population of the United States doesn’t care about much outside of their car and fast food,” says Aaron Jenkins, Ed Gein’s bassist/primary lyricist and one of the trios’ three vocalists. The band has been pounding the pavement hard since their formation in 2001, touring furiously and earning themselves a cult-like following across the US and Canada.
Playing a hybrid style of thrash, metal, sludge, grind and punk, Ed Gein, who call Syracuse, NY home, use their self-described ‘angry-noise punk’ style as a means to deliver their politically and socially charged message. “It’s all a matter of being aware and thinking for yourself,” says Jenkins. “A ‘Judas-goat’ is an older animal at a slaughter-house trained to lead the other animals to slaughter. In exchange, the animal is taken care of almost like a family pet until they are no longer of use. A large portion of the world’s population falls into one of the unfortunate categories of either being a betrayer or one of the millions of mindless, resource-eating followers.”
ED GEIN - wish you the best (Live at Hellfest 2003)
This not about Indonesia Republic but this about a band from St-Petersburg, Russia. It was the autumn 2007 when indonesia band called yourself. INDONESIA music is high-quality rock-music with including of original arrangements and perfect melodies. There is a strong accent on expert combining of classical western rock and modern progressive sound elements. Mad dynamics and drive distinguish each INDONESIA set, that immediately helps the band to find their own fans.
arottenbit a single project of Alesandro Galli. playing 8bit/chiptune music with metalcore band influence. he make the song using Gamboy DMG and LSDJ. yeah! this music pure LSDJ and no VST! click here for listen and download arottenbit song's
